Operation Classical Tutu: Phase 2 - The Gathering

The Gathering of the Tulle is quite a fun process as far as the actual gathering goes.  I developed this technique of gathering fabric after doing many of the Portabellopixie Gracie ruffle skirts.

First I find out the length of the final piece of tulle - so basically, it's the hip measurement of the tutu.  This seems to be a little bit complicated because the top layer ends up having a slightly smaller circumference than the bottom layer because of curves.  However, as you don't want to stretch the lycra as you sew, I just make it for the top layer and it works out through the sewing anyway the way I do it.

So, measure across the leotard, then double it.  

I get some fishing line.  I've been using 6lb, 0.25mm line, it's thick and visible but not too thick that it doesn't bend well.  When I sewed cotton fabric, I was using yarn mainly because that was within arm's reach at the time, but yarn would get caught on the edges of the tulle and cause bad words, so I decided on fishing line.

I tie a loop in the end of the fishing line, and triple knot it so that the knot is quite big.  Then I measure the length I want my tulle to be and do single knotted loop at the end of that, re-measure to make sure it's in the right spot, then add another two knots.  Then snip the length off the fishing line.

I make all the lengths at once - I need 6 for this tutu - and stick them in a drawer next to my machine. I put them in the drawer only because otherwise my cat thinks they are for playing with.  

You can see the loops in the picture below..... maybe.

To gather, I use the cording foot on my sewing machine.  I put the first loop out on the back side of the work, then snap the fishing line in to the middle cording groove.  I set the machine to a wide, long zigzag stitch (5.0w x 5.0l).

I also use invisible thread for all the gathering, sewing on the tulle and tacking.  It's pretty great stuff and I haven't had a problem with its strength as yet.  It's so fine you'd think it'd snap, but it holds up to a lot of pulling.  I mean, don't try to break it with your hands if you do so with cotton thread, ouch!  Using the invisible thread makes all the work for the skirt disappear.  It also cuts down on the bulk around the middle.  Plus, no colour matching needed - I hate standing at the Gütermann stand with a piece of fabric trying to decide between two (or five) slightly different shades of a colour to colour match......then getting home to realise it shows up quite well on the fabric when sewn.

As I am sewing, I line the right hand side of the foot up with the edge of the tulle, and the cording foot keeps the fishing line right in the middle.  Makes for a nice, even gather.

I hold on to the other loop as I sew, and it bunches the tulle up at the back, gathering as I sew.  Be careful not to gather it too much right at the back of the foot, or you can start to sew over the top of your gathers, so stop occasionally and play the tulle out along the line so you know it's sitting well.

Picture below shows the cording foot and the gathered tulle at the back.

As I'm done each section I hang them on a hanger in order.  I swear, the amount of times that I have had to remeasure a piece to know what number layer it is is ridiculous.  It is actually pretty important to keep your layers numbered and fastened together separately from the cutting to the sewing.  Going with the assumption you like your sanity.....

Stay tuned for Phase 3: Sewing the Tulle to the Leotard.......

Operation Classical Tutu

I have fallen in love with sewing dance wear.

I have made a few outfits for performances to date, but that elusive Classical Tutu has been just out of reach.

I have made a couple of tutus so far to learn, but they have no practical use other than learning tools.  Here is a few pictures of the last one I made (although haven't finished embellishing):

The girls' dance teacher (also known as the best dance teacher a little girl could have) decided against a Classical Ballet solo for this year.  Bah, no tutu.

Well, yesterday I got the amazing news that my 8 year old's Demi Character routine will involve needing a Classical Tutu.

So, with the brief of a white, classical, competition tutu, I made sure to get to Spotlight before work yesterday - found they had 40% off dance velvet - BONUS!  So, bought twice what I needed, because that's what sewing logic is, right.  Riiiiiiight??

So, Phase 1 of Operation Classical Tutu began last night with the construction of the leotard.

I use Dani Legge's stretch tutu pattern.  This pattern is the bomb diggity, and if you are in any way thinking of making a stretch tutu, grab the pattern.  I bought it from Tutus That Dance.

Here is the result of Phase 1:

I wanted the panties to be in plain lycra, so I chopped the pattern where the tulle will sit so the transition is hidden in the tulle.

The top of the bodice is white Dance Lycra lined with white lining fabric, the bottom of the panties are two layers of white Lycra.

The front seams are topstitched with a twin needle on the outside of the middle panel.  and the waist seam on the upper side of the seam.

I used 10mm elastic around the neck and back, as I think it gives it a little more hold and looks nice and substantial too.  The leg openings use 6mm elastic.  I use woven elastic for all my dance wear, I cannot make the swimwear elastic (the plastic stuff) work for me and my overlocker, and I have settled on this working best and I know the feeling of how much pressure to put on when I pull the elastic to stretch as I overlock.

I had been tossing up about a nude insert on the bodice, but we decided against it.

You can't see too well on the picture, but I have sewn two lines of basting for the borders of the tulle (top and bottom).  I get quite stressed out when my tulle doesn't sit in nice, parallel lines on the inside of the tutu, so this helps with my placement.  This is one of the throwbacks from having my first craft love being cross stitch.  Cross stitchers are almost as fanatical about having the back of the work looking almost as pretty as the front.  This is unfortunate when you move on to other disciplines - intarsia knitting has always been something I struggle with because of the inside of the work.

I have left the crotch open, but have overlocked the elastic in place already.  I find that trying to overlock elastic onto a tutu with tulle on it to be a recipe for bad words.  I also do not turn and topstitch the edges until the crotch is sewn up.  Means I have to make sure to stay right away from the edges when I'm sewing the tulle on.


Stay tuned for Phase 2: The Gathering (of the Tulle)........